Step into the golden age of politics with this rare handwritten campaign note signed by John F. Kennedy during his vigorous 1960 presidential  campaign. The note reads, "Sorry - I have a bad throat and have lost my voice, but vote for me anyway," capturing JFK's relentless dedication despite losing his voice from constant speaking and travel. Known for his charismatic leadership and profound impact on global politics, Kennedy's presidency is remembered for the Cuban Missile Crisis, the Peace Corps, and his inspiring vision for the space program. His famous call for Americans to "ask not what your country can do for you – ask what you can do for your country" still resonates today. This note, in fine condition with clear handwriting and a bold signature, symbolizes JFK's tireless work ethic and connection with the public. For collectors of political memorabilia, historians, and admirers of JFK, this signed note is an invaluable artifact representing a transformative period in American history, offering a tangible piece of the legacy of a leader who sought to guide the nation with courage and conviction.

John F. Kennedy Signed Campaign Card

Mary Blair Alice in Wonderland Concept Painting (Walt Disney, 1951). This is a remarkable original rendered masterfully in gouache, from the unmistakable hand of the great Mary Blair (1911 - 1978). A stunning image puts the viewer in the context of the celebrated classic film.&nbsp;
Exemplary of the best Mary Blair has to offer in terms of color, composition and narrative, this piece showcases a fearless combination in top Mary Blair fashion. Ms. Blair was one of Walt Disney's favorite artist, he actually hung one of her paintings in his office.&nbsp;
The detail in this artwork is astonishing as always, a true gem. Of her unique and adept sense of color, Disney Legend Inductee and one of Disney's "Nine Old Men" Marc Davis said, "[Mary Blair] was the most amazing colorist of all time. I don't think even Matisse could hold a candle to her -- and I mean that very sincerely. She could put colors together and they would just sing." In the book Magic, Color, Flair: The World of Mary Blair by John Canemaker, he writes, "After suffering difficult postwar years (1945-50), the Disney Studio came roaring back with three blockbuster feature-length cartoons destined to become classics.&nbsp;
Mary Blair played a significant role in each film as a designer and especially as a Colorist." Stunning color palette, painted on huge board measuring 9" x 9.25". Small World concept art attributed to Mary Blair is a rare and valued find, and this is without a doubt a special and beautiful piece of Disney art history. Pinholes in the corners from its days in the Disney Studio, with minor typical board settling, handling wear and edge debris. Very Good condition overall.

Walt Disney Alice in Wonderland Mary Blair Concept Painting

Treasure is proud to present this circa 1939 Disney's Pinocchio Director's Continuity Sketch Book from the hit film, the 2nd feature length animation film from Walt Disney Studios.. Founded by brothers Walt and Roy Disney on Oct. 16, 1923, Disney has woven itself into the very fabric of the United States and the world with its animation, theme parks, and countless other properties that bring joy to billions.
Disney's impact on animation, film, and television is evidenced in the 1940 musical fantasy film Pinocchio, released on Feb. 23, 1940. The film served as Disney's second animated feature film and only the third animated film produced by an American studio. Pinocchio received critical acclaim upon its release, becoming the first animated feature to secure an Academy Award, as it won Oscars for "Best Music, Original Score," and "Best Music, Original Song," for the timeless classic, "When You Wish Upon a Star," which is widely considered to be Disney's leitmotif.&nbsp;&nbsp;
Due to the intricacies of the animation—and the project having Supervising Directors Ben Sharpsteen and Hamilton Luke, along with Sequence Directors Bill Roberts, Norman Ferguson, Jack Kinney, Wilfred Jackson, and T. Hee—keeping the project aligned was a must, which necessitated this offered continuity book.&nbsp;&nbsp;
Before we get into further detail, the label on the cover of the book features "Continuity Sketch Book," with "2003 – Seq. 1., Seq. 1.1, Seq. 1.5," typed and written on the label affixed to the cover. Within Disney, feature length films were projects numbered in the 2000s (shorts 1000's). Snow White was 2001, Bambi was 2002 and Pinocchio was 2003, even though Pinocchio was released before Bambi; Snow White contained some lesser developed animation of forest animals, further development of those animation techniques is a part of what delayed the Bambi project.&nbsp;&nbsp;
Contained within this 47-page tome is Disney magic and a glimpse into the conception and production of one of the most celebrated films in history. The book (which has two sections) features typed, cut-and-taped, in verbiage form, script alongside images of the matching photographic model sheet cut out images depicting scenes from the film in the first section.&nbsp;
The second portion of the book features select original storyboard drawings from concepting the film in the studio, with each affixed via tape to the book.&nbsp;&nbsp;
Disney's creative process is on full display in the original storyboard drawings, with the particular drawing of the Blue Fairy in blue and red pencil that highlights the lengths the animators took to accurately portray the human body. Without comparing it to other animation of the era or their own work, when making feature films, it was of the utmost importance that the animation was relatable to audiences to allow them to get emotionally involved with the characters. Understanding the necessity to get the audience to believe in the story they were watching, and to maintain a level of interest necessary for a feature-length film and not an animated short, Walt Disney focused on realistic character depictions to foster emotional engagement with the audience.&nbsp;&nbsp;
Thus, Disney took great care in their animation process. "Great stories are great characters in great relationships," a quote that was passed around to Disney employees, and great characters have to be believable, hence the great care Disney took in their animation process.&nbsp;&nbsp;
What makes this portion of the book so crucial to the animation process is how it allows the reader to see the development of the artistic style of the Golden Era of Disney. You can see evidence of this evolution on Scene 49, BF. As the Blue Fairy, whose design at the time resembles Snow White, evolves into her own entire woman by Scene 51, showing the evolution of the character and the work of the artist(s) as the film slowly evolves on paper to become the finished product enjoyed by millions today.&nbsp;&nbsp;
The book is held together by two fasteners, with the cover exhibiting scuffing and black marks. Stains are evident on the tape surrounding the label on the cover. The cover contains wear to the edges and corners, and the interior pages contain some toning. However, the contents, especially the storyboard drawings, remain vibrant and resplendent. The book is not only a piece of Disney history, but a work of art showcasing the animation and production process of a timeless and beloved Disney film, but also the evolution of Disney's animation, hailing from Disney's Golden Era.&nbsp;&nbsp;
Accompanied by COAs (47) from Choice Collectibles ASG, for which we invite you to examine the extensive documentation that illuminates the rarity and beauty of this one of a kind offering.

Walt Disney Studio 1939 Pinocchio Director's Continuity Book 

Walt's Field Day Cover Concept Sketch. (Walt Disney, 1938). After completing Snow White and the Seven Dwarfs in 1937, there was no Hollywood style "wrap party" to show of appreciation from Walt to his artists. To make up for this omission, a special "field day" event was held at a resort by Lake Norconian. The day-long event culminated in an alcohol-fueled dinner that became legendary for its many, let's say, excesses; needless to say, Walt never sanctioned another event like this!

A special program was printed up for the event, with a drawing of Mickey Mouse on the cover based on Fred Moore's new design for the character. (Yes, that Fred Moore. The famous "Freddie's Girls" animator!) This is the first known instance of a published Mickey Mouse image with eyes containing pupils, rather than the usual shoe-button ovals with "pie cut" highlights!

Acquired in the legendary June 2023 Heritage Signature® Auction (#7310) Celebrating 100 Years Of Disney: 1923 - 2023, this attributed relic predating the 1938 studio event is an original studio concept drawing of Mickey in all his glory for the published event program.

Rendered in graphite on paper with an approximate image size of 5.5" x 5.5". The unsigned drawing is sealed in a black cloth mat with an opening of 8.75" x 11", and an overall mat size of 13.75" x 16". It's in Very Good to Fine condition with light handling.

Price: $7,000.00

Ends In 8d 3h

Price: $17,000.00

Ends In 8d 3h

Price: $175,000.00

Ends In 8d 3h

Price: $5,995.00

Ends In 8d 3h